Gillman, whose As the Crow Flies was named a Stonewall Honor Book, delves into queer history and spins a witty and extravagant yarn about a dashing duo. Euphemisms and ambiguity leave readers to connect the dots in this Wild West whirlwind, though Grace’s peach-fuzz facial hair implies trans identity. In this rollicking queer western adventure, Flor and Grace, a Latinx outlaw and a trans runaway, team up to thwart a Confederate plot in the New Mexico Territory. Both are smitten, and nervy Flor now has an accomplice for a daring plot involving a sly tailor, ball gowns, and espionage. Stage Dreams by The Center for Cartoon Studies graduate Melanie Gillman 12 released on September 3rd through Lerner Books. (“Despite appearances, it ain’t my intent to hurt you,” she later says, while tying her captive to a tree.) When Flor removes her prisoner’s bonnet, however, she meets an angry, green-eyed, apparently transgender beauty named Grace, who is en route to “the theater in San Francisco” and on the run from “conscription” into the Confederacy. Charlie Lamonte is thirteen years old, queer, black, and questioning what was once a firm belief in God. “Fine young ladies always make for the best ransoms- and company!” Flor quips with a lascivious wink. On cue, Flor swoops in, demanding loot and kidnapping a Southern belle, who modestly hides her face under a green bonnet. In the New Mexico Territory circa 1861, stagecoach passengers pass the time making conversation about Civil War strategies and Southwestern desperados.
The Ghost Hawk-otherwise known as Flor-is a queer Latinx bandit with a bird-of-prey helpmate who wields a six-shooter and wears a leather hat atop her voluminous black mane.
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